Baltimore Heritage blog has moved!
The Baltimore Heritage blog which we started here in the first week of January has been moved to the recently updated Baltimore heritage website. In addition to the past few weeks of our continuing Baltimore Building of the Week series, you may have missed the announcement of our Behind the Scenes Tour of the Town Theater, an invitation to join us for our 50th Anniversary Gala and today’s update on the Hebrew Orphan Asylum. The new website also features an online membership form and our updated Preservation Watchlist.
This website will remain in perpetuity at http://baltimoreheritage.wordpress.com. We will also turn off the option to comment on all existing posts but encourage you to continue posting comments over on our new blog. We hope to add the option to subscribe by e-mail to the new website within the next few weeks. Please let us know if you have any questions or comments and thank you for following the Baltimore Heritage blog!
Baltimore Building of the Week: St. Peter the Apostle Church
This week’s Baltimore Building of the Week arrives one day late, but with two buildings from Dr. John Breihan instead of one. The first of these two Greek Revival churches is St. Peter the Apostle Church built in 1843 at South Poppleton and Hollins Streets.
Image courtesy Jack Breihan
Nothing shows 19th-century Baltimore’s eclectic taste in architectural styles better than the churches erected by the city’s Roman Catholics. Their Cathedral (now the Basilica) was neoclassical, as were the first two parish churches, St. Patrick (demolished in 1897) and St. Vincent de Paul. St. Mary’s Seminary chapel was gothic. Here at St. Peter the Apostle, completed in 1842, the style is Greek revival. The first Catholic parish on the West Side, St. Peter’s was meant to serve immigrant Irish workers at the nearby B & O Railroad shops. Perhaps as a nod to “Jacksonian democracy,” the church is a brick version of an austere Athenian temple, with six white wooden Doric columns supporting a large pediment. The designer was the fashionable local architect Robert Cary Long, Jr. Three years after completing St. Peter’s, Long used the same Greek style on the East Side of town for another immigrant congregation, the Lloyd Street Synagogue. While the synagogue has been preserved as part of the Jewish Museum of Maryland, St. Peter’s is threatened by the lack of ongoing activity. The Transfiguration Community, combining three West Side parishes, recently consolidated worship in just one church, St. Jerome’s.
Behind the Scenes Tour of Wilson House B&B
President Woodrow Wilson has a number of connections to Baltimore, including the roots of his presidency that trace to a series of back-room deals made in a Mount Royal Terrace mansion during the 1912 Democratic National Convention here in Baltimore. Please join us for a tour of this mansion, now called the Wilson House, a 10,000 square foot wonderfully restored Victorian complete with castle-like turrets and curved balconies.
Tour Information
Date: Thursday, April 22, 2010
Time: 5:30 to 6:00 p.m. — Wine and Cheese
6:00 to 7:00 p.m. — Tour
Place: Wilson House B&B, 2100 Mount Royal Terrace (Baltimore, MD 21217)
Parking: Parking is available on the street nearby
Cost: $15 (includes wine and cheese reception)
Read more…
Baltimore Building of the Week: McKim’s Free School
This week’s Baltimore Building of the Week from Dr. John Breihan is McKim’s Free School at 1120 East Baltimore Street,
Image courtesy Jack Breihan
“Democracy” became a byword for American society in the late 1820s, as property requirements for white, male voters were repealed, and the decidedly un-aristocratic Andrew Jackson was elected President. In architecture, this meant returning to the styles of ancient democracy in Athens. A remarkably fine example of this Greek revival is the McKim Free School on East Baltimore Street. John McKim, a wealthy merchant and a member of the nearby Old Town Friends Meeting, instructed his two sons to establish a school for poor children. The building they erected in 1835 was clearly intended as a monument of democracy. The small school, only 40 by 60 feet, boasted an elaborate (and expensive) stone portico and pediment in the Greek Doric order. Today, a nonprofit foundation preserves both McKim’s concern for disadvantaged youth and his sons’ classical monument.
Baltimore Building of the Week: Peale Museum
This week’s Baltimore Building of the Week is the first building in the Western Hemisphere designed and built as a museum, the Peale Museum.
Image courtesy Jack Breihan
Another industry to make an early start in Baltimore was the museum. In 1801, the artistic Peale family (father Charles, sons Rembrandt, Raphaelle, Reubens, and Titian) opened the first American museum in borrowed or rented quarters in Philadelphia. In 1814, Rembrandt Peale commissioned this federal-style museum in Baltimore – the first purpose-built public museum in the Western hemisphere. On display were scientific exhibits like the excavated skeleton of a prehistoric mastodon as well as paintings and curiosities. In 1830, the museum closed, and the building began 45 years service as Baltimore’s City Hall. Later it served as Colored Elementary School No. 1. After restoration in 1928 it once again became a museum, this time of Baltimore municipal history. In 1976 the Peale became part of the underfunded Baltimore City Life Museums, the financial collapse of which was the greatest disaster for the city’s history since the Great Fire. Largely vacant since City Life folded in 1997, the city-owned Peale Museum is the locus of a proposal to open a center for local history organizations.
Baltimore Building of the Week: Washington Mill
Reflecting the rich industrial heritage of the Jones Falls Valley, this week’s Baltimore Building of the Week is the 1807 Washington Mill building.
Image courtesy Jack Breihan
The Industrial Revolution began in England with simple water-powered machines to spin and later to weave cotton. Although Samuel Slater smuggled some of the designs into Rhode Island in 1793, the English mills dominated the market until 1807, when President Jefferson imposed an embargo on trade with England. The Washington Cotton Factory in Mount Washington dates from that year. Besides being the oldest industrial building in Baltimore, it is arguably the third oldest in the USA. Drawing power from the swiftly flowing Jones Falls, the sturdy stone mill was built to bear the weight of heavy machinery. Long rows of windows provided natural light for the three factory floors. This historic building, along with other pioneer industrial buildings on the site, has been imaginatively preserved as part of the mixed office and retail Mt. Washington Mill development. Other textile mills along the Jones Falls south of Mount Washington have been put to a variety of new uses, reminding Baltimoreans of their industrial heritage.
The rehabilitation of the historic mill complex began in 1988 and many more photos of the site may be found on the Mt. Washington Mill website. For more on the industrial heritage of the Jones Falls, check out this history from the Jones Falls Watershed Association or the Maryland Byways brochure on Falls Road (PDF).
Baltimore Building of the Week: St. Mary’s Seminary Chapel
The Baltimore Building of the Week is St. Mary’s Seminary Chapel at 600 North Paca Street in Seton Hill– the first seminary established in the United States. Over two dozen photos of this important building were taken by the Historic American Building Survey in 1936 and tours of both the St. Mary’s Seminary Chapel and the Mother Seton House are offered every day of the week.
Image courtesy Jack Breihan
At a time when neoclassical architecture was in style, this gothic chapel, built in 1808, was an anomaly. Indeed, it is probably the first Gothic Revival building in the United States. It ushered in an era of eclecticism, in which architects worked different styles at the same time. The architect here was Maximilian Godefroy, recruited as a faculty member at St. Mary’s Seminary, founded in 1781 as Baltimore’s first institution of higher education. Godefroy was clearly happier in the neoclassical style (at the Battle Monument and the First Unitarian Church). The chapel is stiff and symmetrical, with “flying buttresses” facing the wrong way, but it pleased his patrons – Sulpician fathers homesick for the gothic monuments of their native France. The Seminary moved to Roland Park in 1927, but the Sulpicians should be congratulated for continuing to maintain this important building.
Returning to religious architecture, this week’s entry in the Baltimore Building of the Week series is the First Unitarian Church of Baltimore, the very first building erected for Unitarians in the United States, at the northwest corner of Franklin and Charles Streets. Continue to the end for the answer to the question posed in last week’s post on Baltimore’s Columnar Monuments.
Image courtesy Jack Breihan
If the Basilica is Baltimore’s neoclassical Hagia Sophia, its neoclassical Roman Pantheon stands only a block away. Completed in 1819 to the designs of the French architect Maximilian Godefroy, the First Unitarian Church is a simple cube topped with a hemispherical dome. An arched Roman Doric portico and pediment mark the entrance on Franklin Street (the new prayer garden commemorating Pope John Paul II has opened up the view). Despite its classic simplicity, the dome had notoriously bad acoustics. Eventually a lower plaster vault was constructed beneath it. Baltimore’s other Pantheon is Davidge Hall, the original building of the University of Maryland, at Greene and Lombard Streets.
This week’s Baltimore Building of the Week is not, in fact, a building. Instead, it is three of Baltimore’s notable “Columnar Monuments.” Both the Battle Monument and Mount Vernon’s Washington Monument have also been featured on the Monument City website. Visitors can take a tour of the Shot Tower’s ground floor exhibit, sound and light show, and informational video are available with appointment at 10:30 AM on Saturday or Sunday. The Washington Monument is open for visitors Wednesday to Friday 10 AM to 4 PM and Saturday and Sunday 10 AM to 5 PM up until Memorial Day.
Battle Monument, Image courtesy Jack Breihan
Completed during the 1820s, two of these towering structures established Baltimore’s distinction as “the Monumental City.” Maximilian Godefroy’s Battle Monument, depicted on the City flag, commemorated the Defenders who died beating off the British attack in 1814. It combines Egyptian and Roman themes, including a giant set of fasces. A gigantic Roman Doric column, Robert Mills’ Washington Monument portrays the Father of Our Country, dressed in a toga, performing what its builders considered his most heroic act. (What was it? answer next week!) The contemporary Phoenix Shot Tower was a monument to Baltimore’s growing industrial sector; it manufactured lead shot for the Chesapeake Bay duck-hunting industry.
Baltimore Building of the Week: The Basilica
This week’s featured Baltimore Building of the Week from Dr. John Breihan is the Basilica of the National Shrine of the Assumption of the Blessed Virgin Mary, a National Historic Landmark, National Shrine, Marian Shrine, and Co-Cathedral of the Archdiocese of Baltimore. You can become a fan of this incredible building on Facebook or take a guided tour Monday through Saturday.
Image courtesy Jack Breihan, 2009
By far the greatest architectural masterpiece in Baltimore is its long-time Catholic cathedral, now known as the Basilica of the Assumption. Designed by Benjamin Henry Latrobe for Archbishop John Carroll, the Basilica was built between 1806 and 1820. The great domed church with its curious cylindrical towers, our Hagia Sophia, long dominated the Baltimore skyline. To mark its bicentennial in 2006, the Basilica underwent a much-needed rehabilitation of its basic systems and a conjectural restoration of the interior to its appearance in 1820. While some welcome the new bright pastels, others miss two centuries’ accretions of church furniture, gold leaf, and stained glass.
